We’ve learned a lot these last couple of years about remote workflows and maintaining the best signal quality on a variety of displays.
One of the most important developments has been the integration of color management in all narrative long-form projects. Being able to access so much information by open source developers and post production professionals willing to test and disseminate has been an eye opening experience for those of us who really want to understand our capabilities and limitations.
As a colorist and finishing supervisor on independent film projects, I’ve been able to comb through countless manuals, blog posts and instructional videos to help us cobble together solid color-managed workflows for most films. Collaborating with talented VFX artists has become a much smoother process, as we can all see relatively consistent images while working concurrently and without resorting to destructive turnover files.
~ Pedro